Friday, 10 May 2013

Noma Bar // Graphic Stoytelling

Noma Bar // Graphic Storytelling from West of England Design Forum on Vimeo.


The ability to tell a story through a few, well-considered marks is a skill that Noma Bar has carefully mastered over the years. By finding the positive within the negative space, he is able to confidently present a subject, leaving you to discover the hidden thread and unravel the story.
By striving for ‘maximum communication with minimum elements’ Noma Bar’s unique graphic style has become instantly recognisable throughout the world. Revered by his peers, he has won various industry awards, with his ‘Cut It Out’ exhibition nominated for the Design Museum's Designs of the Year 2012. Enjoy this short taster from an evening with Noma.

Thursday, 25 April 2013

What is the future of typography?


A workshop at St Bride’s next month will discuss the Future of Typography. What do you think is the future of type?


‘You might as well ask “What is the future of mankind?”.
Why could anybody ask such a general and unspecific question? I’ll still answer it. The future of type is the past of type: visual language. As long as we speak and write, we’ll have type. Different voices, different messages, different media: different type.’
Erik Spiekermann, designer and typographer and founder of Edenspiekermann

‘With a heavy heart we announce type is dead. The improvements in voice-operated user interfaces renders redundant buttons, signage, poetry anthologies and council tax reminders! Bah! That’ll never happen. The return of online long-form copywriting a celebration of type doing what it does best, convey information. As it gets ever easier to design, publish and use type online it is interesting as digital natives develop digitally what David Carson, Vaughan Oliver, Barnbrook et al. have done so well in print.’
James Hurst, digital director at Prophet & founder of The Type Foundry

‘Don’t worry about the future of type. 99.99% of the populace doesn’t. Type, language, #hashtags, symbols - they are always going to be evolving and that is great - it adds a lovely texture to our lives. There is no need to get bogged down in the big questions or small details - progress doesn’t happen when you stand still. Now as creative director of NB Studio and Chairman of The Typographic Circle I would like this set in Akzidenz-Grotesk kerned -20. Please look out for widows, orphans, rivers etc…’
Alan Dye, creative director of NB Studio and chairman of The Typographic Circle

‘Whatever the future holds for typography, there is no doubt that the fundamentals will remain. The English language may evolve bringing new words and phrases; passing trends will introduce new fonts and styles; new devices might even project content directly to your brain. However, poor kerning and widows will still annoy those who care, Baskerville will always be a classic and Rosewood will never be suitable for a fire exit – unless it’s in a saloon.’
James Clarke, senior creative, Roundel

‘In the studio this year we’ve had to deal with how copy appears on a series of adverts ranging from Tube cards to in-app adverts. What corporate typeface to use when the brand has to appear modern yet traditional and work well across all online platforms. And of course the letterpress-printed wood type that needs to look great on a set of covers and but enlarge well when it’s used in-store on point of sale! The future’s evolving, adding more and more applications, being revived, going out of fashion again and above all about experimenting with whatever comes along.’
James Webb, director, Webb & Webb

‘What is exciting to see is the continued and growing interest in type. There are independent type foundries popping up all over the place and people painting shop signs by hand again. In the end this means people will be more informed about typography and will have more choice of how and what to use. Yes, there’ll be some terrible stuff made, but there’ll also be some ground-breakers. Above all more people will be having their words written in their own voice.’
Oli Frape, illustrator and typographer

‘The future of typography is unwritten.’
Frith Kerr, founder, Studio Frith

Friday, 19 April 2013

Pink Floyd album designer Storm Thorgerson dies







Storm Thorgerson, whose album cover artwork includes Pink Floyd's The Dark Side of the Moon, has died aged 69, the band's management has confirmed.
A childhood friend of the founding members of the band, he became their designer-in-chief, fashioning a string of eye-catching creations.
He designed the cover showing a prism spreading a spectrum of colour for The Dark Side Of The Moon.
His credits also include albums by Led Zeppelin, Peter Gabriel and Muse.
His family released a statement saying he died peacefully on Thursday surrounded by family and friends.
"He had been ill for some time with cancer though he had made a remarkable recovery from his stroke in 2003," it said.
"He is survived by his mother Vanji, his son Bill, his wife Barbie Antonis and her two children Adam and Georgia."
Pink Floyd guitarist and vocalist Dave Gilmour released a statement in which he said the artworks Thorgerson created for the band had been "an inseparable part of our work".
He said: "We first met in our early teens. We would gather at Sheep's Green, a spot by the river in Cambridge and Storm would always be there holding forth, making the most noise, bursting with ideas and enthusiasm. Nothing has ever really changed.
"He has been a constant force in my life, both at work and in private, a shoulder to cry on and a great friend. I will miss him."
'Simple idea'
A statement on the Pink Floyd.com official site said: "We are saddened by the news that long-time Pink Floyd graphic genius, friend and collaborator, Storm Thorgerson, has died.
"Our thoughts are with his family and many friends."
Thorgerson began his career with UK design group Hipgnosis, founded in the late 1960s and his distinctive style made him one of the industry's most recognisable artists.
There was the mournful-looking cow on the front of Atom Heart Mother, the burning businessman on the sleeve of Wish You Were Here, the giant pig flying over Battersea Power Station and the prism spreading a spectrum of colour across The Dark Side Of The Moon.
He told the BBC in 2009: "It's a nice but simple idea. Refracting light through a prism is a common feature in nature, as in a rainbow. I would like to claim it, but unfortunately it's not mine!"
The idea was sparked by Pink Floyd's keyboard player, the late Richard Wright, he explained.
"He said, somewhat provocatively, 'Let's not have one of your photos, we've had your photos before. Can't we have a change? A cool graphic - something smart, tidy, elegant.'"

Wednesday, 10 April 2013




Ride + Design


WEDF presents a day of exploring the close relationship between bikes and design, covering everything from branding and fashion to modern cycle culture.

With talks from design-led industry greats including James Fairbank of Rapha, Will Butler-Adams (Brompton), Nick Larsen (Charge Bikes), Dom Thomas (Genesis), Ben Spurrier (Condor Cycles), James Greig (Vulpine), Anna Glowinski (AnaNichoola), as well as films, activities and much more, it's an unmissable day for any bike or design enthusiast.

Saturday 15 June, 9–5pm (with afterparty)

Arnolfini, Bristol
£25 / £22 concs

To book your tickets call the box office on 0117 917 2300.
Have you got your ticket to Ride?